MV 4.83 | Stefan Voglsinger | Spitbender
Concert with dinner included ——> 6 sonos
Doors open ——> 7:00 PM
———–
Stefan Voglsinger | https://voglsinger.klingt.org/
:::::::::::
Spitbender | https://soundcloud.com/spitbender
———–
With support from the Criatório da Ágora – Culture and Sports of Porto, E.M., S.A. program

Manu Louis | Dalila Kayros & Danilo Casti | João Carreiro | Giovanni di Domenico & Tatsuhisa Yamamoto | Mzima: JinaOKing & Jun

RESERVATIONS BY EMAIL – SONOSCOPIA@GMAIL.COM

Concerts with dinner included ——> 6 sonos
Doors open ——> 4:00 PM

Lineup:

16H Portas
16H30: João Carreiro
16H45: Mzima: JinaOKing & Jun
17H30: Manu Louis
18H15 : Giovanni di Domenico & Tatsuhisa Yamamoto
19H : Jantar
20H: Dalila Kayros & Danilo Casti

———————————————–
Com apoio do programa Criatório da Ágora – Cultura e Desporto do Porto, E.M., S.A

Microvolumes is a series of concerts in the field of improvised, experimental, and electroacoustic music that began in 2004 at the now defunct Artes Múltiplas / Cão Danado venue in Porto. In 2011, Microvolumes took on a new format at Sonoscopia’s workspace at the time. In this space, located in the Stop Shopping Center (a meeting place for countless amateur and professional musicians from different musical areas), the concerts were preceded by a dinner, thus providing a more spontaneous and welcoming atmosphere.
The third series of concerts began in 2013, accompanying Sonoscopia’s move to its new premises on Rua da Prelada, in Carvalhido. The concept of dinner and concert remained, but the physical conditions of the new space provided greater comfort, proximity, and a deeper relationship between the audience and the musicians and the surrounding space.

The fourth and current series of concerts maintains the same principle, but in Sonoscopia’s new workspace, which offers better conditions for presenting, hosting, and recording the shows. The new space has a dedicated concert hall, three rooms for an exhibition area dedicated to sound art, a bar, and a large garden, which also has a small stage for outdoor performances.
The basic principle of Microvolumes is to promote new forms of musical expression that lie outside commercial or institutional circuits. They favor emerging artists whose relationship with these spaces creates an artistic movement that is fundamental to the solidification of the cultural fabric. At the same time, they serve as a venue for more established names in experimental music, but with a strong connection to the ethic of strengthening experimental music scenes that are related in various parts of the world.

*****

With support from the Criatório da Ágora – Cultura e Desporto do Porto, E.M., S.A. program

Com apoio do programa Criatório da Ágora – Cultura e Desporto do Porto, E.M., S.A

Free Entrance
+  Community Dinner

With,

André Alves
Constança Amador
Horácio Tomé Marques
Mário Azevedo

___________________

PT description version :

*

Escutar o chão comum

«Escutar é tender para um sentido possível, e não ainda alcançado» (Nancy).

Este trabalho performativo-ensaístico da Ressonâncias em forma de 5a aumentada move-se no intervalo entre aquilo que nos chega vibracionalmente e o que ainda não se deixa compreender. Assume, por isso, deliberadamente uma ação performativa político-poética, onde o rigor conceptual não se opõe à vibração da linguagem, ao
furor dos sons, à agitação dos corpos, nem do imaginário pictórico sensível, mas deles depende.
Propomo-nos pensar e fazer exercitar a escuta como se esta fosse um lugar do ser-com, enquanto prática ontológica e política do comum. Escutar não é apenas um ato percetivo, visto ser uma forma de estarmos expostos a, de partilharmos espaços com e de criarmos tempo e vulnerabilidade. Num mundo tão marcado pela apropriação, pela extração e pela captura — inclusive a do sensível — a escuta surge aqui como gesto de resistência.
A questão que atravessa este trabalho permanece em aberto: será possível partilhar o som sem o possuir?

“Sononautas: Aquática” is an installation and workshop that transports participants to a universe where the sound of water becomes visible and palpable, and where its musical and acoustic dimension is explored. From various stations, there is a set of games and visual and auditory experiences that lead us to discover the underwater world and its sound possibilities.

Concert with dinner included ——> 6 sonos
Doors open ——> 7:00 PM

———–
Margaux Oswald
———–
Peter Kutin
Ursula Winterauer
———–
Jooklo Duo
———–

Microvolumes is a series of concerts in the field of improvised, experimental, and electroacoustic music that began in 2004 at the now defunct Artes Múltiplas / Cão Danado venue in Porto. In 2011, Microvolumes took on a new format at Sonoscopia’s workspace at the time. In this space, located in the Stop Shopping Center (a meeting place for countless amateur and professional musicians from different musical areas), the concerts were preceded by a dinner, thus providing a more spontaneous and welcoming atmosphere.
The third series of concerts began in 2013, accompanying Sonoscopia’s move to its new premises on Rua da Prelada, in Carvalhido. The concept of dinner and concert remained, but the physical conditions of the new space provided greater comfort, proximity, and a deeper relationship between the audience and the musicians and the surrounding space.

The fourth and current series of concerts maintains the same principle, but in Sonoscopia’s new workspace, which offers better conditions for presenting, hosting, and recording the shows. The new space has a dedicated concert hall, three rooms for an exhibition area dedicated to sound art, a bar, and a large garden, which also has a small stage for outdoor performances.
The basic principle of Microvolumes is to promote new forms of musical expression that lie outside commercial or institutional circuits. They favor emerging artists whose relationship with these spaces creates an artistic movement that is fundamental to the solidification of the cultural fabric. At the same time, they serve as a venue for more established names in experimental music, but with a strong connection to the ethic of strengthening experimental music scenes that are related in various parts of the world.

*****

With support from the Criatório da Ágora – Cultura e Desporto do Porto, E.M., S.A. program

Concert with dinner included ——> 6 sonos
Doors open ——> 6:30 PM

———–
Lukas Simonis
Gert Jan Pris
————-
Mathieu Sylvestre
———–

Microvolumes is a series of concerts in the field of improvised, experimental, and electroacoustic music that began in 2004 at the now defunct Artes Múltiplas / Cão Danado venue in Porto. In 2011, Microvolumes took on a new format at Sonoscopia’s workspace at the time. In this space, located in the Stop Shopping Center (a meeting place for countless amateur and professional musicians from different musical areas), the concerts were preceded by a dinner, thus providing a more spontaneous and welcoming atmosphere.
The third series of concerts began in 2013, accompanying Sonoscopia’s move to its new premises on Rua da Prelada, in Carvalhido. The concept of dinner and concert remained, but the physical conditions of the new space provided greater comfort, proximity, and a deeper relationship between the audience and the musicians and the surrounding space.

The fourth and current series of concerts maintains the same principle, but in Sonoscopia’s new workspace, which offers better conditions for presenting, hosting, and recording the shows. The new space has a dedicated concert hall, three rooms for an exhibition area dedicated to sound art, a bar, and a large garden, which also has a small stage for outdoor performances.
The basic principle of Microvolumes is to promote new forms of musical expression that lie outside commercial or institutional circuits. They favor emerging artists whose relationship with these spaces creates an artistic movement that is fundamental to the solidification of the cultural fabric. At the same time, they serve as a venue for more established names in experimental music, but with a strong connection to the ethic of strengthening experimental music scenes that are related in various parts of the world.

*****

With support from the Criatório da Ágora – Cultura e Desporto do Porto, E.M., S.A. program